Vol. 10 Núm. 2 (2026): JULIO[DOI:10.37785/nw.v10n2]

La mirada sintética. Inteligencia artificial generativa y mutaciones de la autoría visual contemporánea (Versión en español)


Contenido principal del artículo

Fernando A. Ramos Zaga

Resumen

La expansión de la inteligencia artificial generativa en el ámbito de la creación visual ha desencadenado una transformación estructural profunda en los regímenes de producción, legitimación y experiencia estética. En ese sentido, el objetivo del presente artículo es analizar las mutaciones ontológicas, epistémicas y éticas que emergen de la mediación algorítmica, con el fin de establecer los fundamentos teóricos de una estética crítica de la mirada sintética. Los resultados muestran que la producción visual generativa no prolonga la creatividad humana, sino que reconfigura la agencia artística mediante la redistribución de la autoría, la recombinación estadística de la originalidad y la conversión de la autenticidad en transparencia procesual. Tal desplazamiento implica la necesidad de construir marcos éticos y normativos que integren trazabilidad algorítmica, responsabilidad relacional y justicia distributiva en los ecosistemas creativos. En conclusión, se establece una relectura del arte como práctica cognitiva y moralmente situada dentro de ecologías híbridas de creación humana y maquínica.


Versión en inglés: https://nawi.espol.edu.ec/index.php/nawi/es/article/view/1277/1250

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Detalles del artículo

Cómo citar
Ramos-Zaga, F. A. (2026). La mirada sintética. Inteligencia artificial generativa y mutaciones de la autoría visual contemporánea (Versión en español). Ñawi, 10(2), 35-53. https://doi.org/10.37785/nw.v10n2.a2

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Sección
ARTÍCULOS

Cómo citar

Ramos-Zaga, F. A. (2026). La mirada sintética. Inteligencia artificial generativa y mutaciones de la autoría visual contemporánea (Versión en español). Ñawi, 10(2), 35-53. https://doi.org/10.37785/nw.v10n2.a2


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