Vol. 5 No. 1 (2021): JANUARY[DOI:10.37785/nw.v5n1] The Populated Solitude. The Subject Through Chilean Contemporary Cinema. [DOI:10.37785/nw.v5n1.a6] Article Sidebar Text Complete: PDF (Spanish) MHT (Spanish) Published: 2021-01-15 DOI: https://doi.org/10.37785/nw.v5n1.a6 Keywords: Chilean cinema; disquiet; social imaginary; solitude; subjectivity. Main Article Content Tayri Paz García Autonomous University of Madrid image/svg+xml Abstract In a fatigued society that has the entrepreneurship imperative embedded, it seems impossible to build places and ways of resistance in which to take care of oneself. This investigation studies the prevailing presence of solitude in the contemporary individual, and how it is represented in the so called “Novísimo cine chileno” (New Chilean Cinema). Based on the analysis of three movies, we will show this disquiet subject of the late modernity, that lives between contradiction and ambivalence. DOWNLOADS Download data is not yet available. Article Details How to Cite García, T. P. (2021). The Populated Solitude. The Subject Through Chilean Contemporary Cinema. [DOI:10.37785/nw.v5n1.a6]. Nawi, 5(1), 117-133. https://doi.org/10.37785/nw.v5n1.a6 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver AMA Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Issue Vol. 5 No. 1 (2021): JANUARY[DOI:10.37785/nw.v5n1] Section ARTICLES This work is under a Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Comments and suggestions on the article Managing Director Jorge Polo Blanco, PhD. polo@espol.edu.ec ESPOL - FADCOM Executive Director Nayeth Solorzano, PhD. nsolorza@espol.edu.ec ESPOL - FADCOM