Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2]

The militant cinema

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Published: 2022-07-15
DOI: https://doi.org/10.37785/nw.v6n2.a1
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Silvia Oroz
Federal University of Rio de Janeiro image/svg+xml
https://orcid.org/0000-0003-1495-6049

Abstract

In this paper, some fragments of memory will be outlined around political militancy in the form of cinema in the 1960s and 1970s in Argentina, through personal testimonies on the collective production of Informes y testimonios: la tortura política en Argentina (1966-1972).

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How to Cite
Oroz, S. (2022). The militant cinema. Nawi, 6(2), 27-31. https://doi.org/10.37785/nw.v6n2.a1

References

Mestman, M; Varela, M. (2013). Masas, pueblo, multitud en cine y televisión. Buenos Aires: Eudeba.

Mestman, M. [et al.] (2016). Las rupturas del 68 en el cine de América Latina. Contracultura, experimentación y política. Buenos Aires: Akal.

Martín Peña, F. (2021). Cine Maldito. Buenos Aires: La Tercera Editora. Oroz, A. (1973). Depoimento a Revista Gente, edición de julio de 1973.

Issue
Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2]
Section
ARTICLES

How to Cite

Oroz, S. (2022). The militant cinema. Nawi, 6(2), 27-31. https://doi.org/10.37785/nw.v6n2.a1
Licencia Creative Commons
This work is under a Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.

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