Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2] The militant cinema Article Sidebar Text Complete: PDF (Spanish) MHT (Spanish) Published: 2022-07-15 DOI: https://doi.org/10.37785/nw.v6n2.a1 Keywords: Argentinian cinema, Cine de la Base, Cine Liberación, memory Main Article Content Silvia Oroz Federal University of Rio de Janeiro image/svg+xml https://orcid.org/0000-0003-1495-6049 Abstract In this paper, some fragments of memory will be outlined around political militancy in the form of cinema in the 1960s and 1970s in Argentina, through personal testimonies on the collective production of Informes y testimonios: la tortura política en Argentina (1966-1972). DOWNLOADS Download data is not yet available. Article Details How to Cite Oroz, S. (2022). The militant cinema. Nawi, 6(2), 27-31. https://doi.org/10.37785/nw.v6n2.a1 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver AMA Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX References Mestman, M; Varela, M. (2013). Masas, pueblo, multitud en cine y televisión. Buenos Aires: Eudeba. Mestman, M. [et al.] (2016). Las rupturas del 68 en el cine de América Latina. Contracultura, experimentación y política. Buenos Aires: Akal. Martín Peña, F. (2021). Cine Maldito. Buenos Aires: La Tercera Editora. Oroz, A. (1973). Depoimento a Revista Gente, edición de julio de 1973. Issue Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2] Section ARTICLES This work is under a Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Comments and suggestions on the article Managing Director Jorge Polo Blanco, PhD. polo@espol.edu.ec ESPOL - FADCOM Executive Director Nayeth Solorzano, PhD. nsolorza@espol.edu.ec ESPOL - FADCOM
