Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2] Libelu mince à la carte, no pepper, little salt (Spanish version) Article Sidebar Text Complete: PDF (Spanish) MHT (Spanish) Published: 2022-07-15 DOI: https://doi.org/10.37785/nw.v6n2.a9 Keywords: Brazilian anti-dictatorial struggles, contemporary brazilian cinema, left countercultural behavior, political documentary cinema, student movement of the 1970s, Trotsky, the arts and culture Main Article Content Rubens Machado Jr. University of São Paulo image/svg+xml https://orcid.org/0000-0002-6878-5567 Abstract The film Libelú – Abaixo a Ditadura!, won the 2020 edition of the Tudo é Verdade festival, in São Paulo, Brazil, the main event in the country among documentary festivals, and worldwide recognized, today part of the Oscar nominations. This essay that seeks to explain critically his point of view in relation to the concrete experience of students who participated in that political moment at the Brazilian university in the second half of the 1970s. The student tendency Liberdade e Luta, of Trotskyist orientation, known as Libelu, played a prominent role in the political reopening, among other reasons for taking to the public space the first political demonstrations in the country since 1968 and the watchword Down with Dictatorship! The essay is interested in the underlying themes and evoked by the documentary around the fight against Dictatorship (1964-1985), including debates between the left, counterculture and avant-garde issues in arts and culture. DOWNLOADS Download data is not yet available. Article Details How to Cite Machado, R. (2022). Libelu mince à la carte, no pepper, little salt (Spanish version). Nawi, 6(2), 149-170. https://doi.org/10.37785/nw.v6n2.a9 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver AMA Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX References AA.VV. (1979). Textos Cine-Olho: Buñuel, Godard, Jerry Rubin, Yoko Ono, David Cooper, Caetano Veloso, John Cage, Dziga Vertov, Antonio Risério, Luiz Rosemberg. São Paulo; Rio: Cineclubefau, Cineclube Luz Vermelha; Centro de Artes Cinematográficas-CAC/PUC-RJ. Adorno, T. W. (2008) [1969]. Teoria estética. Lisboa: Edições 70. Assayas, O. (2005). Une Adolescence dans l’Après Mai: Lettre a Alice Debord. Paris: Cahiers du cinéma. Breton, A. & Aragon, L. (1978). Surrealismo frente a realismo socialista. Barcelona: Tusquets. Breton, A. & Trotski, L. (1985) [1938]. Por uma arte revolucionária independente. São Paulo: Paz e Terra, CEMAP. Freire, P. (2005) [1968]. Pedagogia do oprimido. Rio: Paz e Terra. Greenberg, C. (1977). Actitudes de vanguardia: el arte nuevo de los años sesenta. En Interpretación y análisis del arte actual. Pamplona, España: EUNSA. Lacan, J. (1988) [1960]. O amor ao próximo. In O Seminário, livro 7: a ética na psicanálise. Rio: Jorge Zahar. Löwy, M. (2002). A estrela da manhã: surrealismo e marxismo. Rio: Civilização Brasileira. Marcondes Filho, C. (2009). Dicionário da Comunicação. São Paulo: Paulus. McLuhan, M. (1969). [1967]. O meio é a mensagem. In Os meios de comunicação como extensões do homem. São Paulo: Cultrix. Suzuki Jr., M. (20/09/1997). Libelu era trotskismo com rock e fuminho. Folha de S. Paulo, Ilustrada. Trotsky, L. (1969) [1924]. Literatura e Revolução. Rio: Zahar. Trotsky, L. (1979) [1923]. Questões do modo de vida: A época do ‘militantismo cultural’ e as suas tarefas. Lisboa: Antídoto. Issue Vol. 6 No. 2 (2022): JULY[DOI:10.37785/nw.v6n2] Section ARTICLES This work is under a Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Comments and suggestions on the article Managing Director Jorge Polo Blanco, PhD. polo@espol.edu.ec ESPOL - FADCOM Executive Director Nayeth Solorzano, PhD. nsolorza@espol.edu.ec ESPOL - FADCOM