Vol. 7 No. 1 (2023): JANUARY[DOI:10.37785/nw.v7n1] Draw the complexity. The diagram in artistic research within the academy Article Sidebar Text Complete: PDF (Spanish) MHT (Spanish) Published: 2023-01-15 DOI: https://doi.org/10.37785/nw.v7n1.a2 Keywords: Diagram, Cognition, Research, Accademy Main Article Content Ricardo Horcajada González Complutense University of Madrid image/svg+xml https://orcid.org/0000-0003-4515-257X Abstract Since the beginning of the 21st century, the epistemological shift in academic research towards the visual has forced researchers in all areas to provide themselves with tools and strategies that facilitate the visual transfer of large amounts of information. One of the most effective systems is the diagram. Our proposal is to conceive the diagram, in a summary way, in all its magnitude and possibility. Both as a system of synthesis in transfer and as a speculative space where complex cognitive processes interact. This process of cognitive modelling through drawing generates a speculative framework built by means of skills and knowledge specific to our area. In this article we summarise the main modes and aspects of the diagram as a graphic process of cognitive modelling. DOWNLOADS Download data is not yet available. Article Details How to Cite Horcajada González, R. (2023). Draw the complexity. The diagram in artistic research within the academy. Nawi, 7(1), 35-50. https://doi.org/10.37785/nw.v7n1.a2 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver AMA Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX References Asins, E. (2011). Fragmentos de la memoria. Catálogo MNCARS. Madrid: Ministerio de Cultura. Baitello, N. (2008). La era de la iconofagia. Sevilla: Arcibel. Brea, J. L. (2010). Las tres eras de la imagen: imagen-materia, film, e-image. Madrid: Akal. Conderana, J. A. (Coord). (2016). Giros epistemológicos de las artes. La creación de significado. Madrid: Ediciones Asimétricas. Declaración de Viena sobre la Investigación Artística (2020). Recuperado de https://ebuah.uah.es/dspace/ bitstream/handle/10017/47188/aec_declaracion_QB_2020.pdf?sequence=1&isAllowed=y Deleuze, G. (2009). La lógica de la sensación. Madrid: Editorial Arena libros. Derrida, J. & Thevenin, P. (1988). Artaud: Portraits, dessins. París: Gallimard. Hallam, E. & Ingold, T. (Editores) (2016). Making and growing. Anthropological studies of organisms and artefacts. Oxford: Routledge. Heidegger, M. (2005). ¿Qué significa pensar? Madrid: Trotta. Larrea, J. (1977). Guernica. Pablo Picasso. Madrid: Cuadernos Para el Diálogo. Latour, B. (1998). Visualización y cognición: pensando con los ojos y con las manos. La balsa de la Medusa, 45-46, 77-128. Mitchell, W. J. T. (2019). La ciencia de la imagen. Iconología, cultura visual y estética de los medios. Madrid: Akal. Morris, R. (1994). The mind/body problem. Nueva York: Guggenheim Museum Publications. Soto Calderón, A. (2020). La performatividad de las imágenes. Santiago de Chile: Metales Pesados. Wagensberg, J. (1985). Ideas sobre la complejidad del mundo. Barcelona: Tusquets. Wirth, J. (2013). Qu´est-ce qu´une image? Ginebra: Droz. Schmidt-Burkhard, A. (2019). El arte del diagrama en Genealogías del arte o la historia del arte como arte visual. Madrid: Fundación Juan March. Zambrano, M. (1990) Claros de bosque. Barcelona: editorial Seix Barral. Issue Vol. 7 No. 1 (2023): JANUARY[DOI:10.37785/nw.v7n1] Section ARTICLES This work is under a Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Comments and suggestions on the article Managing Director Jorge Polo Blanco, PhD. polo@espol.edu.ec ESPOL - FADCOM Executive Director Nayeth Solorzano, PhD. nsolorza@espol.edu.ec ESPOL - FADCOM