Vol. 3 No. 2 (2019): JULY[DOI:10.37785/nw.v3n2]

Sea Poetics/Southern feminist Voices for Descolonializing Arts & Cosmopolitics DOI: 10.37785/nw.v3n2.a5


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Karina Bidaseca

Abstract

As parte of a political action that revolves around the concept of "open borders", this text is part of the project "Marine poetics / Southern voices and transatlantic dialogues. Global Platform for the Decolonialization of the Arts and Cosmopolitics ", which promoted the co-creation of a Community Platform and Futures (Platform of Futurities of the Community / CFP)". Interwoven in textual and performative plots, it addresses the work of intellectuals, arti (vi) stas decolonial and local communities, for alternative languages ​​and action on coloniality, racism and "futurities", enabling the emergence and amplification of feminist voices from the south. This article, in particular, will address the situated thought forms, transatlantic female thesis practices, the work of the Cuban artist Ana Mendieta in Oaxaca, Mexico and in Cuba, to rethink the concepts of "open borders", territories of memory, feminist art located and decolonial.

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How to Cite
Bidaseca, K. (2019). Sea Poetics/Southern feminist Voices for Descolonializing Arts & Cosmopolitics DOI: 10.37785/nw.v3n2.a5. Nawi, 3(2). https://doi.org/10.37785/nw.v3n2.a5
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ARTICLES


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