Deconstruction of the mountain as a sublime landscape in contemporary artistic strategies. DOI: 10.37785/nw.v3n2.a8

Abstract

This theoretical-practical contribution proposes a destabilizing journey to the myth of the sublime mountain, where the contemplative eyes of the romantic subject, in their obsessive search for beauty, are relegated to the background. It presents the landscape from a hybrid perspective, since it shows through the visualization of a video, texts and images two parallel visions: that subjective vision of nature internalized by the human being, together with the dehumanized vision of a hypothetical hungry animal -Cabra, cow, wolf- formerly a regular predator of that place. The contribution reflects on the landscape from a conception of it as a transcultural space, fruit of the fusion of the different notions of landscape that the human being projects on nature from the urban, rural, scientific, vital or phenomenological world.