Vol. 2 No. 2 (2018): JULY[DOI:10.37785/nw.v2n2] | Nawi

Vol. 2 No. 2 (2018): JULY[DOI:10.37785/nw.v2n2]

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Portada: ÑAWI Vol. 2 Núm. 2

DOI: https://doi.org/10.37785/nw.v2n2

Published: 2018-07-31

Ecuador Audiovisual. DOI: 10.37785/nw.v2n2.a1

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Miguel Alfonso Bouhaben

9-12

Images recreated in historical documentaries. An analysis of Con mi corazón en yambo and La muerte de Jaime Roldós. DOI: 10.37785/nw.v2n2.a2

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Darwin Gonzalo Borja Salguero

19-39

The Documentary and the history of the defeated: the lost decade in Ecuador through the documentaries on Alfaro Vive Carajo. DOI: 10.37785/nw.v2n2.a3

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Rubén Garrido Sanchis

41-62

Open narratives in the ecuadorian fiction film. DOI: 10.37785/nw.v2n2.a4

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Rosa Carpio Miranda

65-89

The audience of informal audiovisual productions in the city of Santo Domingo de los Colorados (Ecuador). DOI: 10.37785/nw.v2n2.a5

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Eduardo Fabio Henríquez Mendoza

91-112

Latin america go.es: the art of action as an experiential research methodology. DOI: 10.37785/nw.v2n2.a6

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Fiacha O'Donnell Pina

115-138

"Having an idea is a gateway with millions of other possible doors." Interview with Oscar Santillán. DOI: 10.37785/nw.v2n2.e1

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Miguel Alfonso Bouhaben, Daniça Uscocovich Montalvo

143-149

Feminist aesthetics from the Fem Tour Truck Festival. DOI: 10.37785/nw.v2n2.m1

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Alejandra Bueno

153-156

Halfway (Nantú Mantilla, 2018). DOI: 10.37785/nw.v2n2.m2

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Katherine Noguera Martínez

159-160

A communication structure, updated. DOI: 10.37785/nw.v2n2.m3

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Noa María Carballa Rivas

163-166