Vol. 4 No. 2 (2020): JULY[DOI:10.37785/nw.v4n2]

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DOI: https://doi.org/10.37785/nw.v4n2

Published: 2020-07-17

Solidarity, reciprocity and violence in the cinema. An anthropological reading of Parasites and El Hoyo

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Eleder Piñeiro Aguiar

17-33

Mobility and transformation. Robert Smithson and the end of history.

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José Luis Anta Félez, Marc Montijano Cañellas

35-47

Dollhouse: violence permeated in an intimate space seen from the theater

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Pablo Javier Tatés Aanagonó, Belén Amador Rodríguez

49-67

Animated children´s pilot program on climate change, it´s causes and consequences.

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Ronald William Villafuerte Arias, Francisco Fabian Pincay Peredo, Ronald Andrés Villegas Redrobán, Mercy Julia Borbor Córdova

69-83

Satisfaction of elderly in the use of ICT

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Elizabeth Neria-Piña, Maria Guadalupe Medina Barrera

85-97

Cinema: Art and industry.

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Jezabel Gutiérrez Pequeño, Jordi Macarro Fernández

100-101

Technology, Contemporary Media and Transversality in the Construction of Victor Burgin's Gradiva.

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Ana Panero Gomez

103-125

The art of telling and intertextuality in three short films by Paula Ortiz.

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Laurène Sánchez

127-149

A Reflection on Japanese Cinema: Industry VS Art

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Antonio Míguez Santa Cruz

151-167

Cinema in Colombia: history of an industry.

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María Czestochowa Molina Serrano

169-181

Historical Genre as the Driving Force of Primo Novecento Italian Cinema.

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Miguel Dávila Vargas-Machuca

183-207

The memory of the possible against the official History. Interview with Luis Olano, director of the documentary Sender Barayón. Journey into the light (2019)

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Violeta Alarcón Zayas

211-221

El Lugar Sin Límites. Film Festival of Ecuador.

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Juan Ramón Barbancho Rodríguez

225-229

A pistol, a woman and the streets of Madrid

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Mario Jara Pinto

231-234

Representation strategies. The (in) visible in 3 6 5 of Mario Jara

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José Félix Collazos Pérez

235-237